Mastering Essentials Part 3 - How loud should I master? The Telefunken ELA M 251 is one of the all-time classic vocal microphones: the sort of thing that you might, if you're lucky, get to try one day — or if you're even luckier, to own. Pixel Pro Audio. The microphone is long and slender, with a cream–coloured body and a chromed metal grille. The low end was tight-sounding, adding fullness to the drums but without the kick becoming too flabby and sub-heavy. All the Warm Audio equipment that I have been lucky enough to use has performed really well sonically, but I have to say that sometimes the look and feel of their gear can fall a little short of the mark for me. I wanted to see how some of their microphones compared to their vintage counterparts. The WA‑251 has direct competition in the form of the Golden Age Premier GA-251, another Telefunken homage. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). Compressors: do you use more than a couple? This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone. There are other similarly priced large–diaphragm, multi-pattern valve capacitor microphones on the market that also perform well and have a slightly classier look, such as the Avantone BV-12, but if you are happy with its aesthetic and are specifically after an affordable ELA M 251–type valve mic for your locker, the WA‑251 is a very compelling option. The WA–251 again did an excellent job. PreSonus StudioLive 32SC Series III Mixing Console. This field is for validation purposes and should be left unchanged. The microphone was originally only in production for a few years from 1959, and has since reached iconic status. WA-84. The original, introduced in 1960, is reverentially considered to be one of the most gorgeous-sounding mics ever made. Photo: Matty MoonI will often use room mics when recording drums; I find that blending in a mono room mic can help create some 'air' around the kick and snare in the centre of the mix, and glue the drum sound together. The ‘251 is considered one of the best sounding microphones ever made, featured on many classic hits from the 60’s. Product Description for the Warm Audio WA-251. It kills my AKG C12 and it’s a great one.". Warm Audio - WA251 present­a­tion and testing. Very affordable large–diaphragm, multi-pattern valve microphone. We wanted to see how some of their microphones compared to their vintage counterparts and so we tested four microphones and now we can we can announce the results Compressors. I do realise that not everyone will care about looks, but working in a studio, I want my clients to get a feeling of quality from the equipment we are using. The microphones I tested were: WA-87 FET Condenser Microphone, $599 First impressions can be important in making clients feel comfortable. Warm Audio is pleased to offer such a great CK12 style capsule re-incarnation because it allows us to nail the sonics of the most important piece of the formula. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. I understand that spending more money on the electronics and components and cutting costs elsewhere can help to make great–sounding affordable equipment, but hopefully not to the point of having the resulting gear look cheap! As these original microphones have become rarer the price has skyrocketed, and they now fetch eye-watering figures when they do come up for sale. I set up the WA–251 about three feet in front of the kick drum, slightly off to the floor–tom side of the kit, where it sounded most balanced when listening in the room. This gives the sound clarity and gently pulls the source forward. In general, I experienced the sonic character as having a tightly controlled low end with a slight lift in the upper mids and high frequencies, giving it a bright but smooth sound. EQP-WA. First Look: Pro Tools | Carbon. Good day I am doing some mic shopping, I want a mic that is versatile. The WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output. One Synth Challenge V - The Filter Strikes Back! Warm Audio says it matches the tonality and frequency response of the original 1970 capsule. The highs were impressively smooth without being harsh, particularly during heavy crash–cymbal sections. The WA-251 is the usual Warm Audio combination of retro style and tone with modern design and components, like CineMag transformers. Pro Audio Cases, Racks & Bags - apply Category filter. I was very impressed with this capsule’s performance in the WARM WA-14 microphone, so was keen to see how it performed with valve electronics. Download WA-47 Manual. Save warm audio wa-251 to get e-mail alerts and updates on your eBay Feed. Custom WA-12-B-60V edge terminated, dual-backplate, Gotham 5 meter GAC-7, 7-pin tube microphone cable, Wima, Solen French, and Polystyrene capacitors, Polar Patterns: 3 patterns - Cardioid, Omni, Figure-of-eight, Total Weight (Mic, PSU, shockmount, cables) - 12 lbs. This gave a nice balanced room sound, with the rolled-off lows and highs suiting this role. The figure–8 pattern rolls off more quickly below the 200Hz bump. When auditioning the WA-251 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. This is so awesome! One of their newer additions is the Warm Audio WA-251 tube condenser microphone, modeled after the legendary Telefunken ELA M 251E. This particular female vocalist had quite a lot of 10kHz in her voice, which did mean that the WA–251 sounded a touch more sibilant than the other two mics, and seemed to accentuate an occasional 'whistle' in her voice, but on the male vocalist, the WA–251 really shone. Gotham Cabling is very expensive and boutique in nature and shouldn’t be considered a small addition to the WA-251 package. Category. What is a "hybrid" audio interface anyway? I have been interested in Warm Audio's Wa-47 and/or Wa-251, but I can't decide which one to buy. Sound Like A Legend. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire. The All-New Behringer Keyboards 'n' Stuff Thread. You may login with either your assigned username or your e-mail address. Wood Presentation Box - WA-251 Tube Condenser Microphone. I found that I could push the lows on the amplifier without the sound getting too 'woofy', while the mids and high-mids still had definition and clarity without the sound getting too aggressive or 'spitty', which I find can often happen with distorted bass. Warm Audio Main Website; Collection: Cases and Boxes Sort by 4 products. Download WA-14 Manual. There's also a slight boost between 2-5 kHz and again at about 10kHz, with a dip inbetween. I do like this type of cradle design, as it is quick and easy to use and allows the microphone to be easily manoeuvred into position. The classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. Youtube. Joe Carrell- Thousand Foot Krutch, Tasji Bachman, Sanctus Real, Lucy Scholl, Pauline Reese. The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. Over a few sessions I tried the WA–251 on both male and female vocalists, and put it up against a Blackspade UM17R and a Flea SuperFET 47. Playing around with the polar patterns, I quickly settled on figure–8 and pointed the null at the drum kit. WA73-EQ. The views expressed are those of the contributors and not necessarily those of the publishers. (512) 348-6585 [email protected] Home. In order to replicate the 251’s iconic sound, the company carefully studied different 251 microphones to analyze the sound, components, and what listeners liked about them. The Warm Audio WA-251 Tube Condenser Mic was created to offer a classic microphone design to a new generation of recording artists at an affordable price. The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. WA-47 Flight Case. Again, this mode was useful when the WA‑251 was set up as a room mic, as well as for adding a slight 'air' and ambience to close–miked sources. A Slovak Republic JJ 12AY7 vacuum tube is used in the WA-251. I am putting it up against killer mics and nothing is better and probably not as good. Re: Mastering audio for TV Broadcast for the first time... 30-day modular deep dive/writing challenge. The Warm Audio WA-251 was created in order to bring classic, quality sound to users at a much more affordable price. Black­water Audio. Hear the Warm Audio WA251 stock vs mod in our Clipalator mic folder now and compare! Warm Audio auditioned 3 tube brands and fell in love with the JJ 12AY7. The Telefunken company has its origins in early-1900s Germany. 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